Nicola Moscelli
HOW TO BAKE A FAMILY (2025)
As an Italian living in the Netherlands, this project began as a way to explore roots and identity with my children—born in a country that is not mine, to a mother of yet another nationality. The series is a humorous manifesto of togetherness on how cooking, caring rituals, and memory can hold a family close. It all started when I came across some small sheets of paper written in my grandmother’s unmistakable handwriting. There were recipes, but also scattered thoughts—phrases perhaps scribbled just for herself. Reading through them felt like finding her again. In those wordslived her joyful and positive way of seeing the world, of caring for us. This work playfully reflects on my grandmother’s legacy, its imprint on my childhood, and on the kind of childhood that I, as a father—that we, as a family—wish to shape for my son and daughter. Combining her advice, still echoing in our shared memory, her handwritten notes, fragments of vintage Super 8 films, and photographs of everyday gestures that span four generations, the project evokes an invisible but deeply shared space: a domestic landscape shaped by memory, imagination, and continuity. In returning to her words and rituals, I found not only a connection to the past but a way forward—a quiet teaching my grandmother had left behind. A way, perhaps, to bake a family.
Dedicated to nonna Maria (1926-2005)
Text by Nicola Moscelli
BIO
Italian photographer and documentary artist based in the Netherlands. Born in Taranto in 1980 and raised in Bari, where he earned a degree in electronic engineering. He has lived in Madrid, Vienna, and Munich before moving to The Hague, where he currently resides. He is a member of the artists’ collective Stroom Den Haag and the Vernacular Social Club. Through a combined use of original photography and archival material, he develops visual narratives that explore the relationship between place, identity, and memory, with particular attention to historical and cultural legacies. Alongside this, he pursues more intimate and vernacular projects rooted in family practices and everyday gestures, in which photography becomes a tool for investigating the affective and ritual transmission of domestic knowledge. He is the author of Dead End (Penisola Edizioni, 2024), a book selected for the 2024 Aperture–Paris Photo PhotoBook Awards (First PhotoBook category), for the 2024 FotoFabbrica Prize at the DieciXDieci Festival, and currently a finalist for the 2025 Fedrigoni Top Award (Publishing category) and the PhotoEspaña Festival (Best First Publication). His work has been published on platforms such as the John Adams Institute, PhMuseum, Urbanautica, Der Greif, FotografMagazine, Discorsi Fotografici, Perimetro, and C41 Magazine.